Sunday, 29 April 2012
Lynda Benglis pouring, thanks to Colette Morey de Morand for bringing this part of Lynda's work to our attention. Thanks also to Sweet Station blog for the image. The blog has more of the photos and part their text reads "The validity of much of her work was questioned until the 1980s due to its use of sensuality and physicality."
Cheim Reid have a selection of her sculptures and I was surprised to see that she has only had one solo show in the UK at Thomas Dane which finished on 24th March this year. Laura Barnet of G2 recently spoke to her.
Colette's work is in the Territories and Boundaries show at the Kensington and Chelsea College until 3rd May.
Wednesday, 25 April 2012
Tuesday, 24 April 2012
Friday, 20 April 2012
Last few days of an interesting collection of abstract painters is currently on show at Spanierman Gallery, New York. Though the key works belong to De Kooning, there are some interesting paintings in this show from others who were part of the scene in the 50's and 60's, including: Dan Christensen, Willem de Kooning, Perle Fine, Judith Godwin, Gertrude Greene, Stephen Pace, Betty Parsons, Jack Roth, Rolph Scarlett, Theodoros Stamos, Neil Williams and Frank Wimberley.
|Frank Wimberley 'Gum Ball,' 2009, Acrylic and collage on canvas|
Some of the works still feel contemporary, others less so and lack some of the vitality that we originally expect from Abstract Expressionism, but the exhibition is worth a punt. The painting below reminds me of a De Keyser..
Here are some words from the Gallery press release: 'The Abstract Expressionist examples reveal the continued vitality of this style, emergent in the mid-twentieth century, in which artists saw their work as a forum for action. Rendering large canvases that challenged the nature of art, they sought to express freedom and stand in opposition to a homogenized culture. Among the works are Willem de Kooning's Bewitched Woman (1965), depicting a joyously off-kilter vision of the artist's main subject; Stephen Pace's Autumn (59-02) (1959) and Untitled (60-17) (1960), among his largest and most robustly painted canvases; Judith Godwin's lyrical Reflections (1979); and Frank Wimberley's Side Entrance (1995) and Stones (1996), in which he built on the legacy of the past to find his own balance of action painting and a systematic consideration of its methods.'
The gallery also has an exhibition of our very own Frank Bowling, I think this one is the most interesting, including the title...