Friday, 5 November 2010

Patrick Heron and 'Bollocks to British complacancy' on The Genius of British Art: Modern Times, Channel 4 televison



It was great to see the broadcaster, Janet Street-Porter on The Genius of British Art on Channel 4, discuss how she came to understand modern art, meeting Heron's daughter Katherine Heron when studying architecture in 1965. There is a great moment on the programme where they cut between him in his studio at Porthmeor Studios, he died in 1999, probably in the early 1980's and her stitting there now some 30 years later remembering when she would sit and talk with him about art and watch him painting, it was really quite touching..

In the programme she went on to argue how Heron's work of that time was such an antidote to the the dull post war paintings of Lowry and Bratby. My frustration is that we have not understood that British abstraction and especially the 'St.Ives School' have never had the recognition for its significance, when considering how little was taking place in London at the time, which was 'kitchen sink' and a dull form of British (English?) expressionism. Street -Porter goes on to say how Heron's abstractions said 'bollocks to complancy'. It was a great little bit of British televison...

Yellow Painting: October 1958 May/June 1959  Oil on canvas, 1524 x 2138 x 30 mm
 Purchased with asistance from Tate Friends St Ives 1999 (c) Estate Patrick Heron
Janet Street-Porter and Katherine Heron discuss this painting which has to be one of his most significant works, I believe this is in Tate Modern or Tate St.Ives... 


 


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