Wednesday, 13 October 2010

Heinz Mack and Lucio Fontana at Ben Brown

6 October – 21 December 2010 at Ben Brown Fine Arts

Heinz Mack - Dynamic Structure, 1958-1959
Synthetic resin on canvas 102 x 74 cm; (40 1/8 x 29 1/8 in.)

Heinz Mack is one of the founding member of the hugely influential ZERO movement, an artistic group which crystallised in Germany in the second part of the 1950s. The term ZERO was coined in 1957 by Mack and Otto Piene to describe their artistic endeavor, and it later came to define the International Art Movement born out of their radical gesture. The central concerns of the movement were to do with the harmonious balance between the natural possibilities of the medium itself and the artificial intervention of the artistic hand. Far from considering these two elements in opposition, ZERO strove to create a dialogue between the two, one where the aesthetics would be as pure and organic as possible, allowing for the work’s true voice to emerge, facilitated by the artist’s intervention.

The relationship between Fontana and Mack started in 1959, when Mach visited Milan and met the Italian artist, who was almost a generation older and had already been a powerful influence on the ZERO group. Lucio Fontana’s ideology of Spazialismo shared many of the concerns central to the ZERO movement, and in the years that followed the two artists developed a close bond and an ongoing artistic dialogue.


The works in this exhibition illustrate that although the artistic languages of both Mack and Fontana are profoundly individual, they also very much resonate with one another, and share a profound common core. As Mack stated: “No matter how much I have learnt from other artists, no matter how much it is also correct that everything that I discover, invent, would like to realise today, has its origin in myself, in my inmost soul. It comes from my source. If there is a latent relation to the work of other artists, I do not see a contradiction in it. I am identical with what I create. It is the whole imaginative museum I enter again and again, and then it may happen, that Egypt is closer to me than New York.” (From an unpublished manuscript, Mack Archives) 


Lucio Fontana -Concetto Spaziuale 1961 80 x 90

The bringing together of these two collaborators is beneficial to both artists. The slashes look less of a gimmick, more drawn and composed and the drawn looks less formal.

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